Director: Paul Verhoeven
Genre: Action
Key Players: Casper Van Dien, Denise Richards, Patrick Muldoon (could not care less about any of them), slimey snail-like brain monster
More with the Verhoeven, but who cares?! Upon it's release, most people dismissed The Hoeves playful (perhaps campy?) sci-fi actioneer as a commercial for fascism, when it really was the other way around. You know, being filled with suggestive political and social themes concerning media, propaganda and equality (listen to the audio commentary for further enlightenment). However, none of that really matters when you see millions of bugs, the sizes of cars, attacking a small fort in the desert resulting in a slaughter of green goo. That specific moment, is the very highlight of Starship Troopers. Intense and a lot of fun (especially when you're a youngster). But there's a giant snail in the end that sucks brain juice with a trunk and looks like a vagina in the face. Nuff said.
Showing posts with label Space. Show all posts
Showing posts with label Space. Show all posts
Saturday, August 29, 2009
#6 The Fountain: Death is the road to awe
Director: Darren Aronofsky
Genre: Drama
Key Players: Hugh Jackman, Hugh Jackman, Hugh Jackman
Whether you like it or not, Darren Aronofsky's The Fountain, is a feast, if not for the mind, then at least for the eye. With a smart and overlapping narrative, Aronofsky tells the story of a man (or several), through different times in history (past, present, future), in pursuit of cheating death in order to save his loved one (a wife, a queen, a tree). As Hugh Jackman's futuristic scientist travels through the golden nebula Xibalba, and it finally supernovas, we're treated to a stunning visual sequence: by accepting his inescapable death, his body explodes in a flash of gold, light and motion, rebirthing his dying tree in a fashion words can't do justice. Although I try.
Genre: Drama
Key Players: Hugh Jackman, Hugh Jackman, Hugh Jackman
Whether you like it or not, Darren Aronofsky's The Fountain, is a feast, if not for the mind, then at least for the eye. With a smart and overlapping narrative, Aronofsky tells the story of a man (or several), through different times in history (past, present, future), in pursuit of cheating death in order to save his loved one (a wife, a queen, a tree). As Hugh Jackman's futuristic scientist travels through the golden nebula Xibalba, and it finally supernovas, we're treated to a stunning visual sequence: by accepting his inescapable death, his body explodes in a flash of gold, light and motion, rebirthing his dying tree in a fashion words can't do justice. Although I try.
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